While she was translating the Bengali language poet Rabindranath Tagore, Pasternak advised her, to "1) bring out the theme of the poem, its subject matter, as clearly as possible; 2) tighten up the fluid, non-European form by rhyming internally, not at the end of the lines; 3) use loose, irregular meters, mostly ternary ones. ". 21 No. Su gran aria fue una clase magistral de lo que se entiende por legato verdiano y su dúo con el gran inquisidor o su dúo con Elisabetta o con Posa fue una lección de canto dramático, de dar intención a cada palabra con la justa entonación y color. If I had a flower for every time I thought of you...I could walk through my garden forever. Surviving in addition to his wife, Bruna (Gregoretti) Vinogradov, are one daughter, Maria Desilets of Kingston, NY and five sons: Anatolie Vinogradov of Apex, NC, Ivan Vinogradov of Wallkill, NY, Dimitri Vinogradov of Kingston, Nick Vinogradov of Kingston, and Alexsei Vinogradov of Wallkill, NY; one daughter, Maria Desilets of Kingston; grandchildren: Dominic Charles Desilets of Catskill, NY, Sonia Bianca Desilets of Highland, NY, Natasha Desilets of NY, Michael Vinogradov of Apex, NC, Danielle Maria Piscioneri of Highland, NY, Bianca Rose Piscioneri of Highland, NY, Giavani Vinogradov of NY, Anastashia Vinogradov of NY, Caden Durant of NY, Giana Morgan of Highland, NY. As Frere Laurent, Vinogradov made the most of his scene, and with him as a crucial anchor, the quartet that closes Scene 1 of Act held some of the best singing of the night. Mathilda. Le monologue de Malatesta est un beau moment de théâtre, et l’on espère retrouver prochainement cette grande et belle voix.’ Laurent Bury, Forumopera http://www.forumopera.com/nabucco-nancy-raffaella-angeletti-sauve-la-mise, “Alexander Vinogradov’s soft-grained bass is rock-solid and on magnificent form as Iolanta’s father, the protective King René, proving far stronger than the woolly Vitalij Kowaljow for DG.” Mark Pullinger, Gramophone http://www.gramophone.co.uk/review/tchaikovsky-iolanta-2, “während Alexander Vinogradov ein entwaffnend tonschöner König René ist, dessen vielschichtiger Charakter sich in den kunstvoll angeschlagenen Zwischentönen offenbart.” Benjamin Künzel, Klassik.com http://magazin.klassik.com/reviews/reviews.cfm?TASK=REVIEW&RECID=28796&REID=15968, ‘Alexander Vinogradov’s healthy, attractive bass, alertly applied, delivers a first-class René’ David Shengold, Opera News http://www.operanews.com/Opera_News_Magazine/2016/4/Recordings/TCHAIKOVSKY__Iolanta.html, ‘Stark und sängerisch der eindrucksvollste Charakter: Alexander Vinogradov als charmanter Bösewicht. Einfach hinreißend.” Christoph Zimmermann for Der Neue Merkur http://www.der-neue-merker.eu/koeln-philharmonie-jolanthe-konzertant, “In der Rolle des Königs riss der russische Bass Alexander Vinogradov schon allein durch seine wuchtig-virile Autoritat mit; die hitverdächtige Pracht-Arie sorgte im (eher mäßig gefüllten) Saal für erste Ovationen.” Stefan Rütter for Kölner Stadt-Anzeiger, “Alexander Vinogradov als König krönte seine Arie in einer Solokadenz im Kellerbass.” Olaf Weiden for Kölnische Rundschau, ‘…l’impressionnante basse russe Alexander Vinogradov, absolument éblouissant dans le rôle du grand prêtre Zaccaria.’ Didier Hemardinquer, Est Republicain, 27/11/2014 http://www.estrepublicain.fr/actualite/2014/11/27/trois-abigaille-pour-nabucco, “La distribution vocale est quant à elle dominée par le russe Alexander Vinogradov qui dans le rôle du grand prêtre Zaccaria joue d’une voix de basse impressionnante. Fabián Veloz fue un claro triunfador con su Marqués de Posa por color vocal, expresión, volumen y línea verdiana. À titre d’exemple il tient la main armée de Faust pour frapper dans le dos un Valentin occupé à se libérer des diables qui l’assaillent de toutes parts au moment du duel. This season, Alexander will return to the Metropolitan Opera, Staatsoper Hamburg, and Royal Opera House Covent Garden as Escamillo in Carmen, a role that he will also perform for his debut at the Dallas Opera. Scot Weir, Alina Gurina, Vladimir Chernov and Alexander Vinogradov Marina Domashenko, Alexander Vinogradov, Constantine Orbelian, Evelina Dobraceva Soprano Ekaterina Siurina Soprano Justina Gringyte Mezzo-Soprano Daniil Shtoda Tenor Andrei Bondarenko Baritone Rodion Pogossov Baritone Alexander Vinogradov Bass Iain Burnside Piano, Los Angeles Philharmonic Simón Bolívar Symphony Orchestra of Venezuela Gustavo Dudamel Manuela Uhl, Julianna Di Giacomo, Anna Larsson, Charlotte Hellekant, Burkhard Fritz, Brian Mulligan, Alexander Vinogradov Schola Cantorum de Venezuela Schola Juvenil de Venezuela Coro Sinfónico Juvenil Simón Bolívar de Venezuela, Staatskapelle Berlin Daniel Barenboim Rolando Villazón, Marina Domashenko, Alexander Vinogradov, Norah Amsellem, State Opera Choir Staatsoper Berlin, Vinogradov, Royal Liverpool Philharmonic, Petrenko, G. James, A. Vinogradov Royal Liverpool Philharmonic Petrenko, Vinogradov, Bondarenko Gursenich Orchestra of Cologne Dmitrij Kitajenko, “La prestation de la sublime basse russe Alexander Vinogradov fut irréprochable et envoûtante. is a photograph by Alexander Vinogradov which was uploaded on December 20th, 2017. recordonline.com ~ 40 Mulberry St., Middletown, NY 10940 ~ Do Not Sell My Personal Information ~ Cookie Policy ~ Do Not Sell My Personal Information ~ Privacy Policy ~ Terms Of Service ~ Your California Privacy Rights / Privacy Policy. He has worked with many leading conductors including Gustavo Dudamel, Daniel Barenboim, Kent Nagano, Vladimir Jurowski, Lorin Maazel, Mariss Jansons, Zubin Mehta, Placido Domingo, Valery Gergiev, Philippe Jordan, Antonio Pappano, Semyon Bychkov, Yuri Temirkhanov, Vasily Petrenko, Dmitrij Kitajenko, Helmuth Rilling and Myung-Whun Chung. He will be missed always by his family and friends. Olga Vsevolodovna Ivinskaya (Russian: Ольга Всеволодовна Ивинская; June 16, 1912, Tambov – September 8, 1995, Moscow) was a Russian poet and writer. Chanteur impressionnant, il conduit brillamment le jeu. She took up a role as his secretary instead. Christoph Zimmermannm Der neue Merker http://der-neue-merker.eu/essen-faust-premierebln, ‘Der raumgreifende, wandlungsfähige Bass von Alexander Vinogradov als Mephisto: ein Ereignis.’ Dirk Aschendorf, Westdeutsche Allgemeine Zeitung http://www.derwesten.de/kultur/aalto-theater-in-essen-zeigt-gretchen-im-maerchenwald-id11513980.html, ‘Ganz andere Facetten brachte Alexander Vinogradov als Méphistophélès in die Vorstellung ein. 2.” Stephen Greenbank for MusicWeb International http://www.musicweb-international.com/classrev/2014/Jun14/Rachmaninov_songs_DCD34127.htm, “he has a tremendous expressive range, from the desolation of At the Santé Jail to the vicious insults of The Zaporozhian Cossacks’ Reply to the Sultan of Constantinople” David Hurwitz for Classics Today http://www.classicstoday.com/review/petrenkos-shostakovich-fourteenth-wow/?search=1#sthash.Z0WdEb1h.dpuf, “Vinogradov’s voice has sepulchral depth and is firm and focused of tone (…) Vinogradov impresses again but it’s Gal James who really captures the attention.” John Quinn for MusicWeb International http://www.musicweb-international.com/classrev/2014/Apr14/Shostakovich_sy14_8573132.htm“The bass, Alexander Vinogradov, is outstanding” Andrew Clark for the Financial Tmes http://www.ft.com/cms/s/2/cae70e1e-b2e3-11e3-8038-00144feabdc0.html#axzz311ORgJqD, “Sinceramente eccellente è il toreador di Alexander Vinogradov.
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