Then let's do a little bit more water with transparent ink. Use the Lasso tool to draw a selection around the item you want to move to a new layer. If you select Export as you can decide whether you export your work as a PNG, JPG, PSD, or PDF file. Let's go forward the ink roller and I'll go for black again, reduce the size and just put a couple of these throughout the canvas. So for this lesson if you don't like something just re-purpose it and I challenge you to avoid pressing the undo button while you are creating. I'd like to use this style as inspiration for the lesson, but then add a bunch of crayon on top of it. Each of these things affects what it looks like when applied to a layer. So I'm going to create a new layer. You’ll get this message instead: As a final step I selected the cloud shape, complete with its black stroke, and went to Edit > Copy. You can move layers around simply by tapping on them and dragging them to a new location. Press done or hide that, go to the original layer and creates a new cutting. So this is quite a nice base piece of artwork to start working from and I'm going to start cutting this out and I will cut and paste done. So you go to App Settings and under Quick Export Settings, you can change your file format between JPEG, PNG, PSD, and PDF. That's looking pretty interesting. It’s important when you copy and paste vector graphics that they have either a Fill or Stroke Color, as InDesign will otherwise not be able to paste the vector. This is probably one of my favorite forms of doodle bombing. At the moment you can create a an empty mask or mask layer content. Choose Edit > Take A Snapshot. The first thing I'm going to do is I'm going to select my live brush and make sure it's on watercolor. Let's go to camera roll, moments. We can start to stitch these forehead pieces together. Maybe that's a little bit irritating. Okay then I can do some transformation and you can put them at random places around the canvas doesn't really matter too much at the moment. It doesn't have to resemble anything, it doesn't have to look pretty, and you don't even have to like it. What happens if we choose orange and we fill it with that? Then I'm going tap my screen and I want to fold this layer with vector paint. Let's select a lighter yellow. Because we're using a color that already exists in the Canvas, it looks pretty interesting and pretty cool. What this does is it basically puts a piece of paper on top of the other piece of paper. Man. Try put different colors on top of different colors. I teach on a range of different topics and have more classes on the way. So if you're up for it, upload some images to your project space on Skillshare. You can choose your units of measure. These days, it's simply crazy how we can create truly stunning artwork, and we can do it increasingly rapidly! What sizes is this brush. Let's pump up the brush size. Once a pixel brush is selected, you can choose its size, flow, and smoothing by tapping on the corresponding tool. In this class, I'll show you some new ways of using Adobe Fresco to create alternative pieces of abstract art, mixing up the tools in unexpected ways. There we go, deselect. It looks like a kid's done this, which I absolutely love. I can really start to see the juxtaposition between crayon and cutout. There are a few shortcuts right here and you can create your own custom size. In the class we're going to be messy, have fun, work swiftly, create by intuition and start creating fresh artwork by combining different tools and techniques.
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