I am so happy (more!) Matt plans to expand Hitchcock’s character set someday. In all cases I prefer the original – in my mind, no improvements whatsoever! If someone messes with my logos like that, I am becoming ninja ! I also tried installing the Windows version for fun. A font with a similar look would be Vertigon … To share the fonts, link to this page (the direct download URLs could change at any moment). Carolyn – Scroll up. I tried installing a regular .ttf font, and it showed up, but installed this and it only shows in Pages, not Microsoft Word or Photoshop. Bass always did it better. Saul Bass had a unique kind of typeface or font that he would use on his work. ( Log Out / I seem to be in the minority on this blog though! If you would like to chat about my personal experiences with Saul, our big AHAH moment while planning the Contiental logo, my Ph.D. work….or most anything about “credibility based” logo planning and design please call me at 808 922 4042 Hawaii Time after 9 am. The type and graphic design were a metaphor for the film, very simple things that set the appropriate tone. The new Minolta feels so overrated, go back, please go back. And although the redesigns are a step back from the minimal and stylish look of Saul’s originals it’s good that the companies had preserved at least the idea behind them. For a long time Brendan Dawes’ saulbass.net was probably the most popular online destination for devotees of the great designer and film title director, Saul Bass. You’re just not free to distribute it. Love the font! Redistribution strictly prohibited. Aliyah Marr: Graphic Designer, Creative Director, Multimedia Expert, Wordpress Doc. Kleenex because it hasn’t changed that much, and quaker because the original imo just didn’t match the current brand. All Rights Reserved. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. The old, formulaic title-card credits were completely revamped by Saul Bass. Fortunately, it’s back again in most of its former glory at saulbass.tv. Confidential. Not nearly enough white space (or blue space, in this instance). Rather Saul utilized a number of different lettering artists through out his career. Redistribution strictly prohibited. At age 13 I passed by the movie theather in Pittsburgh and noticed this graphic – Man with The Golden Arm – and it was literally magnetic, I could not walk away until I studied every line – mind you, age 13 just before my Bar Mitzvah and had no clue about anythuing Bass. Is it? ( Log Out / Great work with typography, colours and symbols. Art Goodman did not do the lettering for Saul Bass. Yes, Robert Trogman reveals as much in the discussion that I linked. This font was created using FontCreator 6.0 from High-Logic.com, mfgpctt-v1.52 Monday, January 25, 1993 2:11:16 pm (EST). http://www.logodesignlove.com/all-about-paul-rand. How is it different? © 2020 Stephen Coles or each author as noted. Antonio, you can find Gorg here: http://fontazilla.com/fonts.html. Thanks for sharing dude, some pretty sweet fonts here. (Font validated just fine.). Never have been. One of my favourite fonts, but was never sure if I could really use it, because I don’t remember if it is freeware. Copyright (c) Koen Hachmang, 2004. Come see my presentation at TypeCon 2010 in LA. OnlineWebFonts.COM is Internet most popular font online download website,offers more than 8,000,000 desktop and Web font products for you to preview and download. Font Meme est un site de ressources liées aux polices de caractères et à la typographie. I would like use it in a short film with friends. Thanks again, and, by the way, I love your site. I’m sorry but that celanese update is pure ass. Sorry, your blog cannot share posts by email. that and porous paper. It’ll be great to hear something from Matt Terich about this too. http://www.logodesignlove.com/all-about-paul-rand Explorez les polices gratuites ci-dessous, téléchargez-les ou utilisez-les pour générer des images et des logos. The font is not a faithful digitization of any particular title sequence or poster — in fact, type designer Nick Shinn notes that Bass didn’t do the actual lettering and veteran Robert Trogman adds that Dave Nagata did most of the drawings — but it does give a general sense of Bass’ rough, hand-cut style. Having been an ‘ inspired student ‘ of Mr. Bass’ design work throughout my career ( 1975 – present ) I have to say that the simplicity of his work is still far superior than ANY updating that has been done ( except that of the AT&T logo ). Sign in to participate. His voice now sounded like the “Godfather” giving me instruction. Like its predecessor, Gaumont, GAINSBOROUGH is a font that was designed after the hand-lettered titles of an Alfred Hitchcock film. Art Goodman was a fantastic, beyond-belief talent, a humble associate of Saul’s, and a complicated man. Typeface (your company). Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. For anyone who may be interested, I worked with Saul during the last half of the 60s as his logo planning and account manager (AT&T, Continental Airlines and Rockwell International primarily.) What OS and version of Photoshop are you using? Seriously David, love your site, I only hope I can be this innovative when I get out of high school. He and his wife also recently built an art studio in their backyard with two letterpresses and one screen press for their invitation enterprise, Ink Fancy. Hi! This serves as proof that timeless means just that. Afterwards we were asked by the teacher to download the fonts that we found and put 8 examples of the font we found on an illustrator document. All rights reserved. Répondre. Saul Bass New York graphic designer, particularly influential in film titles and corporate identity. Perhaps you can spot light Woody Pirtle, Kit Hendrichs and several of the other more recent great American designers in future posts. If he gives permission I’d be happy to host your expansion here. L’histoire est inspirée du roman D’entre les morts de Boileau-Narcejac, sorti en 1954. Saul Bass Font: Hitchcock Now Available for Download. His work, as head of Saul Bass Associates for 40 years, spanned the whole domain of graphic design. I doubt seriously you would have a hard time finding anyone who worked with and for Art Goodman who did not love the man. If you ever get around to producing a more robust version, please let me know! Ils confient cette tâche à des directeurs artistiques. Copyright (c) 1992 W.S.I. If anyone could also get the font for the summary underneath I would love that! Sketch small and blow up on the stat camera. Change ), You are commenting using your Twitter account. Saul Bass Font: Hitchcock Now Available for Download, Margins and Gutter Tips for Creating a Book. But then again I’m not a massive fan of Paul Rand in general either. If Hitchcock isn’t quite what you’re after, other fonts in this vein include: The lettering artist that did the lettering for the Saul Bass titles was Art Goodman. Edit them in the Widget section of the. Download. Change ), You are commenting using your Facebook account. Then we were each asked to design our own fonts or typefaces that were inspired Saul Bass and his unique simple style. ( Log Out / The new Kleenex by Sterling Brands is an excellent update. Fuseau horaire : CEST. L’affiche originale de Sueurs Froides a été conçue par Saul Bass, également auteur de nombreux logos célèbres, dont celui de la Bell Telephone Company, du globe d’AT&T, etc. Saul Bass is a storyteller. Né avec la naissance du cinéma, dans un premier temps le générique de film se contente de présenter les personnes qui ont participé à lœuvre cinématographique. I went over to him and told him about the Golden Arm story. Citer. It set the theme somewhat. It took me 14 more years to find out who this great artist was and knew him as my mentor. Absolutly timeless. I also worked for Bass (in the 80’s) and knew Goodman, as well as Adler and Nemoy. What a huge gift for my font library. Also appreciated the comment left by Michael. Any suggestions? Hmm, seeing all of his blue lines, i’m suprised he didn’t do IBM’s… another past logo design love featured designer: His titles always had a beginning, middle, and end. DoubleBass free font inspired by the art of Saul Bass on Behance Saul Bass' iconic hand lettering for Otto Preminger's The Man with the Golden Arm film title sequence still looks fresh today, more than sixty years after it hit the screen. And a huge THANK YOU to you, David, for taking the time and responsibility for posting these great design articles on your site. And I guess I understand Quaker’s desire to update since “everybody’s-doin’-it” but what they came up with really doesn’t translate well across mediums. All Rights Reserved. I can only hope that the young designers of today’s generation have an opportunity to learn from him, Paul Rand, Milton Glaser, Herb Lubalin and all of the other design masters that have influenced and ignited our imagination over the years. I’ll talk to him, maybe we can share it. This is the text of a note that was stuck on the cans when the reels of film for “The Man With the Golden Arm” arrived at US movie theatres in 1955. All rights reserved. Mahalo! Vous pouvez la télécharger gratuitement ici.
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